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| Curriculum
Vitae |
| EDUCATION |
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1997
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MFA,
Visual Arts, Vermont College, Montpelier, Vermont |
| 1984 |
BFA,
Sculpture, Moore College of Art and Design, Philadelphia, Pennsylvania |
| SELECTED
SOLO EXHIBITIONS |
| 2002 |
Glimpses,
Hera Gallery |
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2000
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Selected Works, The Water Street Gallery, Norwich, Connecticut |
| 1997 |
"...the
Kitchen Sink", Muse Gallery, Philadelphia, Pennsylvania
Wood Gallery, Vermont College, Montpelier, Vermont
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| SELECTED
GROUP EXHIBITIONS |
| 2002 |
Multiple
Views: Hera at Smith's Castle |
| 2001 |
Annual Group Show, Hygienic Art Gallery, New London, Connecticut |
| 2000 |
The Everyday Map, Hoxie Gallery, Westerly Library, Westerly,
Rhode Island |
| 1999 |
Group Show, New London Art Society, New London, Connecticut
B.A.R.E. exhibit at Pfizer, Groton, Connecticut
Juried Exhibit, Westerly Co-Op Gallery, Westerly, Rhode Island
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| 1998 |
Artist Invites Artist, Muse Gallery, Philadelphia, Pennsylvania
Group Show, 11 Pacific Gallery, New London, Connecticut
Juried Show, Granite Street Gallery, New London, Connecticut
9th Annual Small Works Show, OCCC School of Art, Demarest, New
Jersey
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| 1997 |
"Looking
ahead-glancing back- Muse Celebrates 20 years" The Painted
Bride Art Center,
Philadelphia, Pennsylvania
Women and Abstraction; Atlantic Community College, Mays Landing,
New Jersey
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| 1996 |
Works on Paper; Perkins Center for the Arts, Moorestown, New
Jersey
Works on Paper; Muse Gallery, Philadelphia, Pennsylvania
Annual Juried Show; Ocean City Arts Center, Ocean City, New
Jersey
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| 1995 |
Annual Faculty Exhibit; Atlantic Community College, Mays Landing,
New Jersey |
| 1994 |
Women Examine Spaces; Atlantic Community College, Mays Landing,
New Jersey
"Face to Face - Portraits and Self-Portraits by Moore Alumnae";
Moore College of Art and Design, Philadelphia, Pennsylvania
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| TEACHING
EXPERIENCE |
| Present |
Art Teacher, Tyl Middle School, Montville, Connecticut
Art/Science Instructor, Science Center of Eastern Connecticut,
New London, Connecticut
Art Instructor, Express Yourself, Lyme/OldLyme Youth Services
Bureau,
Old Lyme, Connecticut
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| PROFESSIONAL
EXPERIENCE |
| 2000/01 |
Judge, Niantic Art and Craft Show, Niantic, Connecticut |
| 1999 |
Marymount Manhattan College, New York, NY - Guest Artist
- Children's Museum of Southeastern Connecticut; Curriculum
Packets for educational programs, Niantic, Connecticut.
|
| 1998 |
- Thomas Klise Company; Curriculum and Teacher Guides for educational
programs
- Grant Review Panelist for Cape May County Cultural and Heritage
Commission,
for New Jersey State Block Grants, Cape May County, New Jersey
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| 1997 |
Brochure design: Muse celebrates 20 years; "Looking ahead,
glancing back"
Juror: Cape May Art League Annual Juried Show, Cape May, New
Jersey
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1987-1994
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Critiquer:
cape May County Teen Arts Festival, Cape May County,
New Jersey
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| Artist's
Statement and Images |
| My
paintings are a series of glimpses. A glimpse is a moment gone
that cannot be retrieved but for a keen eye and sharp memory.
A glimpse can be foggy and non-descript. At times it is clear
yet soft around the edges. This work is representative of my
search for an ever-evolving expression of permanence and memory.
Permanence is part of a sense of place, it is what endures.
In my work, permanence is discovered through thoughtful reflection
upon a glimpse of the moment. A slice of space is made permanent
by recording its memory.
I look most often to the spaces I travel through each day.
The authentic places that I inhabit, however temporary, are
the driving force behind much of my work. I catch a glance
of light that makes me stop and catch my breath. The inherent
beauty of that minute makes me think I will always remember
the place, the instant and my connection to it. I look away
for a second, turn back, and it is gone. These paintings are
a walk through temporal points and slivers of space.
The use of a glazing technique is new to me. This process
allows me to work with paint in much the same way a role of
film develops. Each painting is a step towards resolution.
Visually each painting becomes clearer and emotionally each
landscape becomes more permanent. The paint begins to hold
the light in much the same way that a memory holds the moment,
in a slightly viscid fluidity.
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