[Roundelay]

Roundelay:
Artists Portray
Artists

Hera Gallery
Nov 20 - Dec 18, '04

Opening Reception
Sat 11/20, 5 - 8pm
Live Art Making/
Music/ Poetry

About This Exhibition |  Special Events | Images | About Hera Gallery

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About This Exhibition

 
This exhibition documents a year-long collaborative process by a group of
multi-media artists exploring portraiture and self-portraiture.

Barry Brown

John Kotula

Mara Metcalf

Katherine Meyer

Luke Randall

 

 

Lisa Starr

Cynthia Scott

Alec Thibodeau

 

 

 

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Special Events

Special Events

    

A Night of Music
Hera Gallery
Sat 11/27, 7 - 10pm
Suggested donation: $5

A Night of Poetry
Hera Gallery
Sat 12/4, 7 - 9pm
Suggested donation: $5

Artists Panel Discussion
Hera Gallery
Sat 12/11, 2 - 4pm

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Images of the Artists' Work

A sampling of the works on display as part of this exhibit...

 

Left:
Painting by
Luke Randall

 

Right:
Charcoal drawing by
Katherine Meyer

 

 

Left:
Painting by
Luke Randall

 

 

 

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About Hera Gallery

Hera Gallery began as a not-for-profit women's artist cooperative in 1974, three years after feminist art scholar Linda Nochlin published her influential essay, "Why Have There Been No Great Women Artists?" in the January 1971 issue of Art News magazine. The essay reflected a growing general dissatisfaction with socially sanctioned discrimination in all areas of the culture on the basis of race, gender, and sexual orientation at a time when cooperatively-run galleries for women artists were popping up all over the country.

Hera Gallery, like ARC and Artemesia in Chicago, Womenhouse in Los Angeles, and AIR and SOHO 20 in New York City, offered women artists a supportive alternative space to show their work during an era when it was often difficult to gain representation by commercial galleries, or have their work displayed and collected by museums. Of these galleries, Hera has the distinction of being the only one in a non-urban setting.

During that time of challenging viewpoints and new ideas, the feminist movement influenced
art making in concept, form and process, including the work of the members of the Hera co-operative. Processes and materials that had been associated with "women's work," such as quilting and needlework, invigorated painting and sculpture with a fresh vision while simultaneously reintroducing narrative content to the austere minimalism of the seventies.

The lasting effect of the experiments of feminist art on contemporary art making cannot be underestimated. Boundaries between disciplines are more fluid than ever before -- witness the many MFA programs across the country which offer programs of study in "new media" or "new genres." Installation art is now old hat, and it is acceptable, even expected, for the artist to use the most unconventional materials possible in the creation of her work.

The artists of Hera have been producing and presenting contemporary art locally for thirty years. At Hera we believe that the equity of feminist values apply to every person, and we welcome both male and female artists in all stages of their careers.

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This exhibition is brought to you with the support of the Friends of Hera and
The Rhode Island State Council on the Arts.
 
Hera Gallery is handicapped accessible.